Constructions
Dec 14 2007
Drown
Once again I find myself
in a situation where I
simply do not understand
what's going on
I'm not sure that I can tell
right from wrong
I'm not sure I can tell
your kisses from mourn
I used to have a dream
about a maze without light
my feet were stuck in quicksand
I was haunted every night
Then I went out of bed
like if it was made of nails
slipped into my worn out shoes
and slipped away
the fear gets me down
it drags me down to drown
Flotsam & Jetsam
Pale edge of land
stretch into the distance
as far as I can see
Tide rise
and reveal all
what the sand had tried to
bury away
Broken boxes
scattering the ground
caressing water
splinters all around
Past has
sung of shipwreck
I stand on the pier and
cling to the land
Famous are the last words
raining down from the sky
a hesitating roar
by the waves
a body washed ashore
I looked away
bewildered to the core
and the wind began to howl at me
I saw something that I should've never seen
Now I'm all
lost for words
like the dead
And the face I'm looking into
is the face of someone I knew
I am me and what I see is me
I am me and what I see is me
And the face I'm looking into
is the face of someone I knew
I am me and what I see is me
Contamination
The Apparition
Some might see this as a sign
some might see this as a miracle
Some might see this as a sign
A sign that we should be prepared
for the worries that may come
Can our deed be made undone?
Seeing things that isn't there
Sorrow floating through the air
A premonition of despair
Broken hopes and no repair
In restless dreams it walks alone
It is a shadow on it own
And some might see this as a sign
Some will see this as a sign
Kite
The grass here is brittle
The soil is hard
The wind is like razors
The sky is all dark
Above
the boreas
Starless
Pitch black
The water is moving
Downwards in slow motion
Like world war 2 searchlights
The cars driving by
And just then
Commence
Silent
Descent
No words can describe it
The sight that we see
No camera lenses
Can capture the glimpses
Ignited
Crowning
Curtains
Falling
Kite
Three Red Frames
Open your eyes
before you is a script
made up of lies
look and you'll see
a thousand words
a perfect history
what could it be?
just fragments of
a disturbed plan that's
forced on to you
and you may wonder
if you're going to
accomodate
or wither and fade
again
Man lies and dream
of thornless roses
bend to suit his scull
handshakes with kings
and neckties tied
so tight to fit his mood
but then he wakes
the pen is in his hand
but there's no words
his manifesto
of ghosts walking through Europe
is no more
it's gone by the west
hence economy
and petro chemistry
makes all he can see
ambiguity
I am keen to clean the mess
blow it all away
Mr. Fawkes will rise again
this time make the day
Won't be caught red handed when
all the guardians come
to the cell in the cellar
where I'll beat the drum
Sweet sound of november
tear apart the air
one makes a villan
ten a psycopat
one makes a villan
ten a psycopat
one makes a villan
ten a psycopat
a million makes a hero
a nation makes you God
one makes a villan
ten a psycopat
So it will seem
That death only mean
Figures on a screen
That flickers on wall street
Itís unacceptable
To neglect a deathtoll
Like that
Maleficence
We passionate
are stigmatic now
Our pierced wrists
our holy bow
In sacred names
passing on the rite
with bow and cross
we set out to fight
A sacrifice
for us to see
a hysteric move
making history
An eagle flies
out to care
Symbolize
Whatís just and fair
A city forged
By men of belief
A kingdom ruled
By a thief
An eagle flies
out to care
symbolize
justice and fair
And freedom
Donít you know
it's for your own good
this freedom
we have to fight
for you
well what do you do when your friends
starts to do what you fear in your enemies
some might tell them to sod it
we chose to follow blindly
we trust in our friends
Democracy
Is an ideology
Suspended by
supremacy
Freedom
Donít you know
That we are right
Freedom
to fight for you
we have to fight you
Intrusion
Plastination
What kind of creature am I?
so still and stripped
tell me
tell me what I am
just another lifeless life that's spend
I've been here
I've been here
I've been here so long now
I've been here
And time has passed me by
Dream me gone
Forget me still
freeze
me
cold
Keep your eyes nailed on me
till I am no more
Keep your eyes
Keep them nailed on me
till I am no more
till I am no more
till I am no more
Keep your eyes
Keep your eyes
Keep your eyes
On me
Milk
White
Light
Termination
Out out
Candle you burned so bright
You lead me
Into this night
I am
Kneeling before your bed
Holding
Your hand but itís dead now
Soft words
Please let the candles light
Slowburn
An embering sight
Out out
Outnumbered by the days
Of all the years youíve lived
And all you embrace
I saw you there
With your eyes so closed
I still remember when you
Had your life ahead
Where have
All the hours gone
moments that you choose
the last one is drawn
Fragments
The Noise
Your time is precious
I won't take much
I just want to
feel the touch
Of a human being
else than me
I am as lonely
as I can be
The city is hazy
and so am I
Things looks so different
through these eyes of mine
Far in the distance
The bridges burn
A fearsome lesson
I had to learn
And I'm going
to have a world of my own
A world where I'm not
so alone
Look at those faces
All pale and grey
They look so familiar
But they're still so strange
And I want to touch them
But here I stay
It's so much easier
just to run away
And I'm going
to have a world of my own
A world where this
darkness and haze
isn't out of place
Take me to
the oppsite bay
Boatman set your sail
Fear and discontent haunts this moody album that draws on music philosophies such as musique concrete and l'arte dei rumori as well as industrial acts of newer date. Constructions is also closely connected to the Urban Explorer movement, as all percussive elements are found and sampled at deserted places.
12 tracks fronted by five singers of mixed sex, makes up this mosaic of a dark album.
When 'Constructions' was released in the fall of 2007, I had spend eight years working on what I at that time regarded as my artistic pinnacle. Today I'm not so sure. There surely are some fine moments on it, but here and there I failed in achieving what I'd set out to do. 'Three Red Frames' and 'Fragments' are examples of tracks with good intents and poor execution.
Therefore I released a new mix of the album i 2022 called 'Constructions/Resurrections'.
During the eight years in the making, I wrote roughly 70 songs which in the end was condensed to the 12 on the album. Some of the unreleased tracks are lost, and some have been reworked on later albums (Truth Serum and Damage from Harvest, Oscillations from Tesla and Capsize and To pin a Butterfly from Illusions) while others remains to have their destiny decided.
It was recieved poorly upon release. I remember a reviewer who compared it to Depeche Mode, and critizised the lack of tempo and light. I thought "what the fuck, you haven't understood anything about it at all". Had this reviewer listened to it against the likes of Einstürzende Neubauten or Nine Inch Nails, his critisism would have been more just. I saw next to no positive reviews, and with time I myself became convinced, that I had failed with this album. The remedy was 'Anyway', an album with much less at stake, but also an album with a much weaker artistic profile.
Personnel:
Julie Frey: Vocals (Flotsam and Jetsam, Kite, Maleficence & Termination)
Anders Brandt: Vocals (The Apparition, Maleficence & Plastination)
Majbritt Løfgreen: Vocals (Drown)
Troels Bech: Vocals (The Noise & Drown)
Astrid Myrup: Vocals (Three Red Frames)
Martin Jørgensen: Custom Percussion
Mikkel Paaske: Lap steen guitar, bass and double bass
Thomas Hillebrandt: Keyboards and DuS
Joachim Bang: Compressor
Ste van Holm: Guitars, Keyboards and programming, DuS and Chapman Stick.
Produced and engineered by Ste van Holm
Recorded between December 1999 and June 2007
Mastered by Troels Bech at Das Boot
Digital Booklet:
Stream 'Constructions':